![]() Students should introduce source material (either quoted or paraphrased) note when the source material ends and provide citations for source materials using standard documentation formats. While the argument in a paper can be enhanced by research, students are cautioned to delineate clearly their own original ideas from source material. Plagiarism: Plagiarism is the use of ideas and/or quotations (from the Internet, books, films, television, newspapers, articles, the work of other students, works of art, media, etc.) without proper credit to the author/artist. Students who repeatedly break these rules may be removed from the course and/or may lose access to Kadenze. Please understand that posts which violate this Code of Conduct harm our community and may be deleted or made invisible to other students by course moderators. Only post content where and when it is appropriate to do so. ![]() With that in mind, please be sensitive of what you post in a Peer Assessment. We believe that expression is a human right and we would never censor our students. Please be patient, kind, and open-minded when discussing topics such as race, religion, gender, sexual orientation, or other potentially controversial subjects. Our students are from many different cultures and backgrounds. For this reason, insults, condescension, or abuse will not be tolerated. While you are completing your Peer Assessments, we ask that you help us maintain the quality of our community. Peer Assessment Code of Conduct: Part of what makes Kadenze a great place to learn is our community of students. PLEASE NOTE: Taking part in a Kadenze course as a Premium Member, does not affirm that the student has been enrolled or accepted for enrollment by California Institute of the Arts. It’s here that John has continuously honed his skills, together with friends and long-time collaborators like Arian Leviste, Justin Maxwell or classical jazz guitarist Takeshi Nishimoto (as band project I’m Not A Gun) Known for crafting a brand of subtle, musical sonics, his recorded output ranges across tempo and genre lines, from chilled out affairs with spacious arrangements to pulsating, densely layered, deeply energetic tracks that work magnificently in the hands of DJs as well as on the home stereo.īefore hooking up with Kompakt, the much-acclaimed studio wizard had already made his own dent in the musical universe, thanks to a flurry of top-tier releases on labels such as Steve Bug’s Pokerflat Recordings, the legendary Plug Research imprint, 7th City, R&S and many more - but nothing prepared the world for those exquisite bangers „Sweat On The Walls“ and „Mono On Mono“, both released in 2004, with the latter being one of the most fervently beloved classics on John’s own label Palette Recordings. Trained on drums and the piano from an early age, the LA-based synth mastermind has since amassed his own impressive skill set, embracing the music as a personal frontier, expanding on his resume as a techno recording artist as producer, remixer, DJ, and label owner. With both his parents being professional classical musicians, it might not be a surprise that John Tejada has become known as one of the most prolific and consistent producers in today’s eletronic music landscape. Owen’s work has been featured in Wired, Future Music, Pitchfork, XLR8R,, computer arts magazine, and shown at events such as NASA’s Yuri’s Night, Google I/O, and the New York Cutlog art festival. Over the past 10 years, he has: worked as a research scientist for Twitter developed multi-touch interfaces for Nokia research labs worked for leading ribbon microphone manufacturer Royer Labs has had musical production featured in major motion films designed and built recording facilities and produced, engineered, and mixed records in Tokyo, Nashville, and Los Angeles. During his graduate research, he focused on developing new musical interfaces, interactive musical agents, and large networked music ensembles including The Machine Orchestra. in 2013 at the New Zealand School of Music, Victoria University of Wellington. ![]() With Jordan Hochenbaum and Jasmin Ruiz Blasco, he founded The Noise Index, a research platform to explore questions emerging from increased access to information and information saturation, with installations in New York, London, Paris, and L.A. As co-founder of Flip-Mu, he explores and designs open-source interface design, real-time data sonification, generative audio/visual systems, and large-scale multitouch surfaces. ![]() Owen Vallis is a Professor of Music Technology at the California Institute of the Arts, MTIID (Music Technology: Interaction, Intelligence, and Design program). ![]()
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