Kawai joined the force to earn a stable income, unlike her crude father that ended up on the opposite end of the spectrum. This story is supported by the fact that the main female police officer Mai Kawai, serves as a fictional person of the mangaka herself, who's all but done from the police force. So, to see all the effort finally getting an anime adaptation produced by Madhouse under Kaiji director Yuuzou Satou (aside from last year's Nippon TV live-action drama), everything has come around full circle. And being a low-level officer herself, it was easy to pitch to publishing companies like Kodansha's Morning magazine to get her work serialized, but although she had experience drawing portraits during her time in the police force, it's because of her inexperience drawing manga that forced her to quit the profession and focus on refining her art to be suitable for serialization. It was this reason that Miko Yasu decided to convey the message that police officers aren't necessarily upright and honourable people, just regular human beings doing their best on the job. One boy whom she asked, said that he expressed interest but had some skepticism of the profession, claiming that it was too high of an order for someone like him whom struggled to take care of himself. Being the victim of someone's death can instill emotional guilt, and as best as Miko Yasu tried to cope with the trauma and rallied recruitment efforts, there is yet another turning point of disheartenment to see that the younger generation wasn't all that interested in being a police officer. She joined the police force in her local kouban as a low-level officer doing crime prevention publicity campaigns, her inspiration for joining being that she felt empathy for families of crime victims, but ultimately left when the officer that filled her role when she took her childcare leave, died of overwork. A manga that clinched a win in the 66th Shogakukan Manga Awards in the Best General Manga category, alongside Inio Asano's Dead Dead Demon's Dededede Destruction last year (which is now finally getting an anime adaptation), it's no secret that this work is truly something special, and it all had to do with the fact that Miko Yasu herself, was once an ex-cop working in Japan's kouban (a.k.aīefore I go further, I would like to elaborate specificially that the police culture of the East and the West are vastly different, and that has lead to some unnecessary triggering of comparisons made that could extend itself into a hate rant (I'm looking at you ANN), so please do not snare up any hateful rants here as well.īack to the main topic, Hakozume's main episodic stories and arcs are based off of Miko Yasu's personal real-life experiences working in the police force for approximately 10 years, but was saddened by Japan's culture of overwork, and this manga was her way to spread understanding about the profession to encourage public support. Of all the series starting off the new year of a very dry Winter season, mangaka Miko Yasu's Hakozume a.k.a Police in a Pod definitely stood out for being one of the most interesting works ever made.
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